In the Art of Browsing by Claire Barliant we started to reflect about the book as a trend in our quest for knowledge. We learned about the “Library of Unborrowed Books” – an art installation developed by Meriç Algün Ringborg that manifests itself in the languages and titles of each book in the collection.
Meriç Algün Ringborg’s art installation looks at the library as a contemporary moment. The project presents hundreds of books that have never been borrowed from the Center for Fiction’s library. The framework hints at what has been disregarded, knowledge essentially unconsumed. It puts on display what eludes us.
Librarians know that the act of browsing for a book in a large collection is an idea generator. It provides the patron that is walking in the library with an awareness and openness to new ideas, stories, history and science. Claire Barliant reflects on the real changes occuring in our world. She stated, “But with every trend, however modest, you have to wonder, why now? Is it possible that book browsing is already strange and unusual enough to be considered material for art?”
“Everyone agrees that the future of publishing is electronic, with words beamed to us instantaneously. But in that case, what will happen to all of the books and the places that store them? When they’re gone, where will we randomly stumble on the knowledge we didn’t even know we wanted to know?”
We believe the library will continue to represent the gaps and cracks of history through book and media circulation. We believe in the digital catalog, providing a collection where access and ownership and subscription licenses are intermixed. Most importantly, the library will provide professional support through readers advisory and information literacy.
The library of the future will be where primary materials and extended access co-exist to create an experience that enhances our learning process and research outcomes.